by Jonathan Ames ‧ RELEASE DATE: May 1, 2000
Angstridden sex is funny, à la Philip Roth; tongueincheek memoirs are funny, à la David Sedaris. Ames can be their water-boy...
A mildly perverted, mildly humorous compilation of Ames's New York Press columns into one chunky memoir of sexridden angst.
From his young days in a backstraightening corset to the traumas of his delayed adolescence, from encounters with prostitutes (both female and transsexual) to his personal recreation of Mann's Death in Venice, Ames (The Extra Man, 1998) marshals his adventures with his penis for increasingly strained comic effect. Knowing what the word ``onanism'' means does not constitute humor, of course, yet Ames spends many pages trying to convince the reader that he is indeed really, really funny for just this kind of vocabulary (and related experiences). Sex with a prostitute who ends up throwing a cup of hot tea in his face is not so much funny as it is pathetic, despite his cheerful chirps to the contrary. Likewise, his venereal diseases do not contribute to any newly discovered comic territory: the ``w''(art) on his ``p''(enis) may have been of utmost concern to him, but how many times has the embarrassed trip to the drugstore for sexrelated products or treatment already been depicted elsewhere? Oddly, the most amusing parts of Ames's memoirs are the ones not specifically related to his own sex life: the stories of him defecating on himself (both in the south of France and New York City) portray a sense of urgency perhaps only experienced by one with equally explosive bowels, whereas his friend's invention of the ``mangina'' provides the most fruitful exploration into new and dizzying perversions.
Angstridden sex is funny, à la Philip Roth; tongueincheek memoirs are funny, à la David Sedaris. Ames can be their water-boy for now, and maybe he'll join their company when he lets his humor develop organically rather than throwing it into the reader's face.Pub Date: May 1, 2000
ISBN: 0-609-60514-3
Page Count: 288
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2000
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by Jonathan Ames & illustrated by Dean Haspiel
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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