If you love novels set in the world of moviemaking, this is as good as the best of them.
A 50-something film composer meditates on the summer of 1977, when she worked with director Billy Wilder on one of his last films.
As her own daughters prepare to leave home, Calista Frangopoulou, born in Athens, now living in Britain, thinks of the backpacking trip she took at 21 to the United States. A friend she made on her way west invited her along to a dinner in Hollywood arranged by her father. As it turned out, their companions were Billy Wilder, who owned the restaurant; his wife, Audrey; his writing partner, Iz Diamond; and Iz's wife, Barbara. Though the girls were wildly underdressed and totally out of their depth, and though the friend absconded halfway through the meal and the Wilders had to have the drunken Calista sleep on their couch, she made such an impression that she was brought on to be their interpreter when they went to film Fedora in Greece the following year, then continued on during shooting in Germany and France. There is so much to enjoy about this book, which is rooted in extensive research about Wilder's life and the making of Fedora, including the recollections of someone who actually lived a version of this experience—and yet it reads like a fairy tale. Calista forms deep relationships with both Billy and Iz and changes from a naïve know-nothing to someone with a deep understanding of the impact of World War II on a generation of artists. "I realized that for a man like him, a man who was essentially melancholy...humour was not just a beautiful thing but a necessary thing, that the telling of a good joke could bring a moment, transient but lovely, when life made a rare kind of sense, and would no longer seem random and chaotic and unknowable." She also finds along the way the inspiration for her own future career as a composer of film scores. Beautifully written and full of wisdom, this unusual and fascinating book contains many treats, including a miniscreenplay done in Wilder's style and an unforgettable scene in which Calista and Billy sample Brie de Meaux on a French farm where it is made.
If you love novels set in the world of moviemaking, this is as good as the best of them.Pub Date: Sept. 27, 2022
ISBN: 978-1-60945-792-1
Page Count: 256
Publisher: Europa Editions
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK TO SCREEN
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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