by Jonathan Cott ‧ RELEASE DATE: Oct. 22, 2013
Another side of a significant 20th-century writer, preserved from the archives.
A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.
In 1978, Rolling Stone contributing editor Cott (Days that I'll Remember: Spending Time with John Lennon and Yoko Ono, 2012, etc.) conducted this interview with the woman he had known as a professor when he was a student, and RS published it the following year. It is reminiscent of a time when popular magazines would commit what now seems an unthinkable number of pages to the profile of a serious author. Though it ran long in the magazine, it runs much longer here, offering a conversational warmth that some might find more inviting than Sontag’s published work. Though she says, “I’m not really a polemicist,” she maintains that the writer’s mission is “to be in an aggressive and adversarial relationship to falsehoods of all kinds.” What she perceived as falsehoods were often controversial, but her interviewer never offers a hint of challenge. Cott is more like an acolyte, occasionally fawning, asking questions that reflect his own erudition. This interview ran a quarter-century before Sontag’s death, but it captured her at the peak of her cultural prominence, discussing Illness as Metaphor and On Photography, showing how slack metaphors and reductive interpretation misrepresent the essence of reality. Most illuminating is the personal detail—e.g., how she started reading seriously at 3 and “was writing up a storm by the time I was eight or nine years old.” What made her perfect for that magazine at that time was her pivotal role in the bridging of high and popular culture: “When I go to a Patti Smith concert at CBGB, I enjoy, participate, appreciate and am tuned in better because I’ve read Nietzsche.” Or, as she had previously written, “If I had to choose between the Doors and Dostoyevsky, then—of course—I’d choose Dostoyevsky. But do I have to choose?”
Another side of a significant 20th-century writer, preserved from the archives.Pub Date: Oct. 22, 2013
ISBN: 978-0-300-18979-7
Page Count: 168
Publisher: Yale Univ.
Review Posted Online: Aug. 14, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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