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THERE'S A MYSTERY THERE

THE PRIMAL VISION OF MAURICE SENDAK

With minimal redundancy, the voices culminate to illuminate an extraordinarily rich picture book, provide fresh insight into...

Conversations with the legendary children’s book creator, along with “companion guides” exploring the artist’s psyche and works.

This text expands longtime Rolling Stone contributing editor Cott’s (Susan Sontag: The Complete Rolling Stone Interview, 2014, etc.) 1976 Stone interview with Sendak, which Cott reworked in his collection of children’s author profiles, Pipers at the Gates of Dawn (1983). The author interweaves discussions that followed over the years with family photographs, aesthetic influences, and book art in the first publication with the benefit of distance since Sendak’s death in 2012. Cott examines his subject's relationships with relatives—particularly the artist’s melancholy mother—and recurring themes and obsessions: babies, kidnapping, flying, falling, mortality, windows, and journeys. An overview of key titles follows, focusing on the enigmatic Outside Over There; Sendak described this conclusion to the trilogy that began with Where the Wild Things Are as “the last excavation of my soul.” Writing it helped vanquish lifelong demons. Cott is an erudite, sensitive observer, exceedingly well-prepared to engage readers on the title’s (and creator’s) mystique. Equally at ease probing Mozart’s views on death as he is the similarities between Sendak’s naked goblins and a 17th-century scene of frolicking putti, Cott’s thoughtful questions include quotes from luminaries ranging from Homer to Rumi. Sendak’s narrative featuring Ida, a girl who rescues her baby sister from the goblin’s underworld (as the depressed mother pines for the seafaring father), is expertly mined in separate chapters. Psychoanalyst Richard M. Gottlieb notes the artist’s gift for plots employing fantasy to manage rage, and Jungian analyst Margaret Klenck discusses art’s role in restoring one’s archetypal mother. Art historian Jane Doonan deconstructs design, style, and symbolism, while playwright Tony Kushner recounts his friend’s yearning for paradise. A continuous thread explores the complex interplay between “inside and outside” and the possibility that the story transpires in Ida’s imagination.

With minimal redundancy, the voices culminate to illuminate an extraordinarily rich picture book, provide fresh insight into human needs, and inspire appreciation for the rewards of looking closely.

Pub Date: May 16, 2017

ISBN: 978-0-385-54043-8

Page Count: 256

Publisher: Doubleday

Review Posted Online: Feb. 6, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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