Nothing sweet on Sugar Street: It’s creeps all the way down. An unsettling, propulsive, sometimes acidly funny book.
A mystery man on the run alights in a grim and unwelcoming new world.
“$168,048. That's a lot, though it doesn't really matter how much it is once you've accepted that there will never be any more of it, only less.” Exactly how much cash he has left in the manila envelope under his car seat, later under his mattress, is one of the only things we ever know for sure about the unnamed White male narrator of Dee's eighth novel, and it's an element of the furious tension that drives the book to its brutal conclusion. The narrator tosses out a number of provisional backstories—he has a “nifty law degree,” he’s some kind of terrorist, he had a daughter with a terminal illness—which don't seem to necessarily be true, though every once in a while he does make a claim on the reader’s credulity: “I think it’s important to note that I didn’t ruin anybody. I just want that on the record, even though, of course, there must be no record.” Having cut every connection to his past life, he goes to ground in an unnamed decaying city, renting a room from an unfriendly tattooed woman named Autumn. She tells him there's a middle school nearby—because, she explains, he looks like a sex offender, so maybe he should rent somewhere else. His relationship with her becomes the center of his weird new life, but it, and every other interaction he has with the people he meets, seethes with mistrust and violence. He is acutely aware of the diseases plaguing his country, and his narration bristles with minimanifestoes. “Democracy, capitalism, liberalism: all in the lurid end-stages of their own failure, yet we won’t even try to imagine anything different, any other principle around which life might be organized: we would sooner choke each other to death, which is basically what we’re doing.” “If white people had a tombstone, it would read, ‘They Stopped at Nothing.’ ” This pronouncement will be borne out by his own story.
Nothing sweet on Sugar Street: It’s creeps all the way down. An unsettling, propulsive, sometimes acidly funny book.Pub Date: Sept. 13, 2022
ISBN: 978-0-8021-6000-3
Page Count: 224
Publisher: Grove
Review Posted Online: Oct. 3, 2022
Kirkus Reviews Issue: July 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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