American Innocence revisited: a retiring adman's spiritual stock-taking acquires dramatic urgency when he learns that his suburban neighbor may be a war criminal. Gene Trowbridge is an advertising executive with a home on Long Island. The 64-year-old Gene is readying himself for retirement and adjustments in his long, loving marriage to wife Ellie when a reporter buttonholes him, asking questions about his reclusive neighbor Albert Ferdinand. His curiosity piqued, Gene befriends Ferdinand; pressed hard, Ferdinand concedes that he's the former Brazilian Army captain who (as the newspaper alleges) oversaw the torture of civilians in the 1960's. But Ferdinand insists that whatever wrong he did in the war against Communism is a private matter ``between me and my God''; his task now is preparing for death and (hopefully) divine acceptance. All this is taxing for Gene, a decent but ``morally undeveloped'' man without a compass in this world of men who torture, and die, for their beliefs. As the authorities and human-rights activists close in, Ferdinand appeals to his friend for help—but Gene finds himself paralyzed, unable to act. Gene works in a business where ``our allegiances are always for sale''; he lives in the reflected glory of a son who is a major-league baseball player; and the story begins on the Fourth of July. While Dee may be pushing Gene's quintessentially American situation too hard, this spellbinding second novel (The Lover of History, 1990) reads like anything but schematic. With a true novelist's flair, the author forestalls our rush to judgment by making the reporter obnoxious and Ferdinand a figure of dignified pathos. Dee's graceful assumption of an older man's voice, his mastery of an elegiac tone, is every bit as impressive as Ishiguro's achievement in The Remains of the Day.
Pub Date: July 1, 1993
ISBN: 0-385-42595-3
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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