A lively narrative with a poignant core and quirky, lonely characters.
Evison manages to find considerable humor in this plaintive story of care giving and receiving.
Narrator Ben Benjamin is greatly in need of caregiving himself, so he doesn’t have much left for Trev, his adolescent charge, who has Duchenne Muscular Dystrophy and is confined to a wheelchair. Ben has learned everything about his job from The Fundamentals of Caregiving, a book generous in providing acronyms meant to be helpful (for example, ALOHA: Ask Listen Observe Help Ask again) but scanty in providing practical advice. He takes the job of caring for Trev because—well, frankly because he’s broke, he’s responsible for a family tragedy, and his wife has left him, so the minimum wage job has a desperate appeal. Ben finds that providing care for Trev helps give his life some purpose. Trev’s father, Bob, had deserted his family years before, shortly after the diagnosis of MD was made, but he’s now making some attempts to get back in touch with his son, though Trev resolutely rebuffs him. Then Elsa, Trev’s mother, finds out that Bob has been in a car accident in Salt Lake City, and against her wishes, Ben decides to take Trev on a road trip to see him, a trip that becomes more an end in itself than a means to see how Bob is doing. Along the way from Oregon to Utah they pass through towns, pick up Dot, a punky but goodhearted girl, befriend Elton and his acutely pregnant girlfriend, Peaches, and are followed by a mysterious man in a Skylark. Ben expects the mystery man to be a private detective his estranged wife has set on him, but he turns out to be someone quite different.
A lively narrative with a poignant core and quirky, lonely characters.Pub Date: Aug. 28, 2012
ISBN: 978-1-6162-0039-8
Page Count: -
Publisher: Algonquin
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: June 15, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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