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THE BUTCHER'S THEATER

Kellerman's mysteries featuring psychologist-sleuth Alex Delaware (When the Bough Breaks, etc.), though intelligently written and thickly textured with realistic illness/therapy detail, have been marred by slow pacing, overwrought effects, and disappointing windups. This new novel—a wildly overblown (640 pp.) police-vs.-psycho thriller set in Jerusalem—is even more of a mixed bag, with page-by-page strengths lavished on a humdrum formula production. A 15-year-old Arab girl is found murdered, gruesomely mutilated and bizarrely laid out, in a Mount Scopus ravine. So Inspector Daniel Sharavi—Yemenite Jew, scarred war-veteran, warm family man—assembles a special cop-team: acerbic old-pro Nahum; part-Chinese muscleman Yosef; Daoud, a bias-sensitive Arab; brash rookie Avi, a flashy ladies' man. And fairly soon the investigating cops are convinced that the girl, a runaway from an oppressive old-world family, was murdered by her shady boyfriend—who was in turn killed by the girl's vengeful, deformed brother. Then, however, a second woman—a Tripoli-born prostitute and drug-addict—is found dead in a forest, identically savaged, obviously victim #2 of a maniac serial-killer. (The reader has known this all along, thanks to periodic close-ups, lurid and shrill, of the nameless psycho.) A third victim is also young, female, Arab—leading to heightened ethnic tensions, which are exacerbated by an unscrupulous newsman. Sharavi, therefore, goes after both sex offenders and rabble-rousers: among the transparent red herrings are a Kahane-like rabbi/racist, an Hasidic child-molester, and a creepy monk. But, with help from the FBI, the Jerusalem cops eventually close in on the real psycho—who, true to genre-cliche (cf., among scores of others, Thomas Boyle's recent PostMortem Effects), snatches Sharavi's small daughter during the chase/showdown finale. Despite graphic swatches of psychosexual case-history, Kellerman's killer—a foulmouthed, masturbating amalgam of hatreds ("Don't move, kikefuck")—remains utterly unconvincing. The treatment of Israel's internal Arab/Jewish conflict, though timely, is annoyingly superficial; the assorted character-touches—like Sharavi's Yemenite back. ground—are intriguing yet ultimately disappointing, as it becomes clear that a thin, derivative scenario is being mechanically padded out to Big-Book dimensions. So, while there's enough solid professionalism here to fill a 300-page police-procedural, at more than double that length this sags and flattens—offering neither the focused, atmospheric suspense of Gorky Park and Pattern Crimes nor the chilling intensity of such other psychomanhunts as Red Dragon and Nightbloom.

Pub Date: March 22, 1988

ISBN: 0345460677

Page Count: 746

Publisher: Bantam

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Feb. 15, 1988

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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