by Jonathan Kirsch ‧ RELEASE DATE: March 8, 2004
Old stories ineffectively told. Now, monotheism vs. monotheism: therein hangs a tale. . . .
An unsatisfying survey of dogmatic doings in the ancient world by a popularizer of matters biblical.
L.A. Times book critic and novelist Kirsch (Moses, 1998, etc.) takes a resolutely gods-for-clods tack here, opening with an instantly off-putting advertisement: “On September 11, 2001, we were reminded once again of the real meaning of the 3000-year-old conflict between monotheism and polytheism”—the putative subject here. Were the Twin Towers staffed by druids and animists? Atta and company, after all, were definitively monotheistic. Never mind the answer, for Kirsch has already galloped off to a merry disquisition on the violence that awaits readers of the Bible, where holy war and martyrdom are commonplace and the deserts of the Holy Land flow with rivers of blood. Kirsch settles down for a long treatment of the misunderstandings and unpleasantries that governed interactions among the polytheistic Greeks and Romans and the famously “stiff-necked” Jews, the former wanting “to make sure that they did not forfeit the blessing of the right god by offering worshipping to all gods,” the latter certain that their celestial ruler was the one, true, and incontestable deity. The second view was, of course, inherited by the Christians, who had their own unhappy dealings with the Romans for a few centuries until Julian the Apostate met a Persian (or, Kirsch conjectures, perhaps Christian) spear on a dusty Iranian battlefield and in farewell, gasped, “Thou hast conquered, Galilean!” All well and good, but Kirsch is working well-plowed ground. His analysis, at once sensationalized (“When the Taliban dynamited the Buddhist statuary of Afghanistan, they were heeding the call of the Hebrew Bible”) and incomplete, shades into insignificance next to recent work such as Elaine Pagels’s Beyond Belief and Bart Ehrman’s Lost Christianities (both 2003).
Old stories ineffectively told. Now, monotheism vs. monotheism: therein hangs a tale. . . .Pub Date: March 8, 2004
ISBN: 0-670-03286-7
Page Count: 336
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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