by Jonathan Kozol ‧ RELEASE DATE: March 12, 2024
An inspired and insightful analysis of race-based challenges in the American school system.
A celebrated educational thinker takes stock of segregation in American schools.
Kozol, a former public school teacher, has been writing about America’s educational system for more than five decades, and he’s the author of such classics as the National Book Award–winning Death at an Early Age and Savage Inequalities. Although Brown v. Board of Education theoretically ended segregation, the author points out that the practice “continues unabated and is presently at its highest level since the early 1990s.” Students who attend predominantly Black and Latine schools must contend with a host of unnecessary disciplinary tactics, including being forbidden to ask questions in class, getting sent to “isolation rooms” for minor infractions, and even getting arrested at ages as young as 6. None of these tactics, writes Kozol, affect their white peers. The culture of these schools isn’t the only problem: Many of their buildings are bastions of “squalor and decrepitude,” with unusable bathrooms and shockingly dangerous levels of lead exposure. Ever since the passage of No Child Left Behind in 2001, schools serving Black and brown students have tended to prioritize testing over content. This is particularly true in language arts, where districts eschew novels for bite-sized passages and ban books that “foster critical thinking or address the conflicts that divide us, based on gender, class, and race.” Citing the work of Nikole Hannah-Jones, as well as his own experience teaching for a school integration program, Kozol convincingly argues that integration is the only way to address “the achievement gap between Black and white students.” The book thoroughly displays the author’s eloquence, conviction, expertise, and attention to detail. Most impressive is Kozol’s ability to draw connections among disparate events to illustrate the underlying systems driving the nation’s greatest inequities.
An inspired and insightful analysis of race-based challenges in the American school system.Pub Date: March 12, 2024
ISBN: 9781620978726
Page Count: 224
Publisher: The New Press
Review Posted Online: Dec. 5, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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