A fascinating, potent examination of how a single violent act can spark endless repercussions.
A startling double murder shakes a small American town in Kravetz’s debut novel.
Reporter Matt Foster, after five years at a weekly in Benfield, Massachusetts, has a line on a story that will appeal to bigger publications: 18-year-old Billy Lawson, during a burglary, shot and killed elderly Pete and Tara Blythe in their sleep. As Matt interviews Billy’s mom, will he become more devoted to the sympathetic woman than to his “juicy” news story? This is the first of 12 interlinked tales that highlight various characters in the homicide’s aftermath over the course of 2014. Shelby, the older of the couple’s two daughters, bonds with a local female reporter and debates what type of letter to send Billy in prison—scornful or empathetic. Shelby’s sister, Samantha, is estranged from her husband, Carlton, a sanitation worker with plans to confront the former police chief who had a hand (however inadvertently) in Billy targeting the Blythes. The author breaks up these stories with glimpses of Pete and Tara’s married life through the decades as they struggle with infidelity and the pressures of raising kids. Kravetz’s stellar characterization pays off in a series of profound turns as his cast question not only the horrifying crime but also their own lives. As these tales aptly reveal, such misfortunes as loneliness, alcoholism, and broken relationships may start with one or two people but hurt myriad others. Characters pop up in multiple stories, giving readers varied perspectives (Billy’s friend, Barry Epstein, seems both a troublemaker and a troubled soul). Throughout, the author ornaments the taut prose with metaphors that pack a punch (“Life is a broken jaw, always aching”; an end-of-the-workday body is “wrung out like a damp washcloth”).
A fascinating, potent examination of how a single violent act can spark endless repercussions.Pub Date: May 20, 2024
ISBN: 9781960018915
Page Count: 292
Publisher: Running Wild Press
Review Posted Online: April 12, 2024
Kirkus Reviews Issue: June 1, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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