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THE GREAT MISTAKE

A highly satisfying mix of mystery and character portrait, revealing the constrained heart beneath the public carapace.

An exceptional work of historical fiction about one of the key figures in the development of 19th-century New York City.

In November 1903, on Friday the 13th, Andrew Haswell Green was shot dead in front of his Park Avenue home. Largely forgotten now, he had been essential to the establishment of many of the city’s parks, museums, and bridges and to the linking of its five boroughs into Greater New York. As he did in High Dive (2016), Lee sets up two narratives: one following highlights of Green’s life up to the murder and one on the police investigation afterward. Born in 1820 into a Massachusetts farming family, young Green realizes that he doesn’t grip an ax the right way, that he has “no interest in girls.” At 14, he is seen almost kissing another boy. (Present-day readers may find the allusions to his sexuality euphemistic or otherwise indirect, but that is period appropriate and could mean the historical record lacks more-explicit references.) Shortly after that incident, Green is sent to New York to work in a general store, where future New York Gov. Samuel Tilden appears one day seeking pills for indigestion. They develop a lifelong friendship that will lead to Green’s many civic achievements. Meanwhile, a police inspector stumbles on a clue to the shooting after visiting a bordello whose madam is linked to the case. She provides one of the book’s most colorful sections (and its only significant female character), and she and the inspector dominate the novel’s lighter moments. There also are two very different strands of suspense: in the whodunit, which hinges on an accepted haven for straight male urges, and in the biography, with its question of how a man deals with feelings that don’t fit into the conventional narrative of the time.

A highly satisfying mix of mystery and character portrait, revealing the constrained heart beneath the public carapace.

Pub Date: June 15, 2021

ISBN: 978-0-525-65849-8

Page Count: 304

Publisher: Knopf

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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