Lethem, a witty spinner of bizarre tales (The Wall of the Sky, 1996, etc.), moves into somewhat more accessible territory with this story of a would-be Alice in Wonderland and the man who would prefer to keep her on this side of the looking glass. Philip Engstrand, an anthropologist who studies academia, is happily involved with particle-physicist Alice Coombs. When an experiment by Alice's Nobel-winning colleague, Professor Soft, goes awry, a void that may be a portal to an alternate world is created. Before this, Alice has befriended two blind men who maintain an intense, codependent relationship with each other—their names are Ethan and Garth—becoming their friend in part because she believes that Garth's special perceptual abilities may aid in her work. Meantime, Professor Soft's void refuses to disappear and acquires a name, Lack, as well as intelligence and a personality with distinct preferences: It accepts some items offered it (pistachio ice cream, a peach-colored lab cat), while rejecting others. Alice grows emotionally remote and begins spending all of her time in Lack's chamber, and Philip begins to suspect that Alice has fallen out of love with him and in love with Lack. As Philip attempts to comprehend Lack and reconnect with Alice, he becomes entangled with many other characters: The blind men, at Alice's suggestion, move into the apartment she and Philip once shared; Cynthia Jalter, Evan and Garth's therapist, develops a serious crush on Philip; and two professors, a preening Italian physicist and a fussy deconstructionist, offer various absurd explanations (scientific, philosophical, semiotic) for Lack's existence. Eventually, Philip, desperate to win back Alice's love, is forced to confront Lack on his own. The intriguing, if gimmicky, premise sometimes feels a bit thin, like a Donald Barthelme story stretched to novel length. But Lethem's clear-eyed prose and believably strange people ultimately make for a moving tale of narcissism and need.
Pub Date: March 12, 1997
ISBN: 0-385-48517-4
Page Count: 256
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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