by Jonathan London illustrated by Sean London ‧ RELEASE DATE: Feb. 23, 2016
An impressive sequel about an aquatic journey that stands on its own while building on the first trip.
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London (Foggy Goes to the Library, 2015, etc.) resumes the middle-grade adventures of his boating enthusiasts, this time along the Pacific Northwest coast.
Last year in Desolation Canyon, three Desert Storm veterans brought their teenage children together for a rafting trip down the Green River in Utah. Now 13-year-old Aaron and his dad rejoin Roger (and his 13-year-old daughter, Lisa) and Willie (who brings his 17-year-old son, Cassidy). They embark from the First Nations village of Bella Bella on a 10-day trip around Queen’s Sound, along the coast of British Columbia, in sea kayaks. Aaron is thrilled to see Lisa, on whom he has a crush. He’s less happy encountering Cassidy, since the former juvenile delinquent enjoys roughhousing with him and flirting with Lisa. Over 10 days, the group hopes to explore the coast’s many islands, see wildlife, and learn about First Nations tribes, like the Heiltsuk. It becomes quite a different trip when they hear gunshots one morning from a ship named the Sea Wolf. The Chinese fishermen are gathering geoduck clams, occasionally firing their guns to scare sea lions from the catch. After speaking with Wong, the diver, the group begins paddling away—and hears a thump and a cry within the Sea Wolf’s hull. Later, Aaron overhears the adults telling Cassidy that the ship may be transporting illegal immigrants from China to Vancouver. In this novel, London once again delivers an infectious blend of action, science, and tween romance to readers of all ages. The author’s son, Sean, also returns with gorgeous illustrations accompanying the narrative’s truly magical moments, like when orcas “swam right between our kayaks, their dorsal fins slicing the surface!” Aaron’s growing pains are visible not only regarding his crush on Lisa, but also whenever his father applauds Cassidy (Aaron thinks: “It was like a needle stuck in my skin hearing my dad praise him like that”). After presenting various opinions, the book addresses the central conflict of poor refugees seeking better lives thoroughly and compassionately. Aaron endears himself to audiences, not by being an awkward kid but a blossoming young man.
An impressive sequel about an aquatic journey that stands on its own while building on the first trip.Pub Date: Feb. 23, 2016
ISBN: 978-1-943328-33-8
Page Count: 180
Publisher: WestWinds Press
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
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by Alice Schertle ; illustrated by John Joseph ‧ RELEASE DATE: Dec. 8, 2020
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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