by Jonathan London & illustrated by Jon Van Zyle ‧ RELEASE DATE: April 1, 2001
Spectacular paintings show the Ptarmigan, or Arctic grouse, through the seasons as he struggles to survive both the harsh climate and a host of predators. The tale begins with white and silvery scenes of the Arctic winter, with the snowshoe hare, lemming, and pure white Ptarmigan evading a lynx, snowy owl, weasel, and wolverine. In summer the Ptarmigan, wearing the dappled brown feathers that help the adult birds and chicks blend into the thick brush, faces still more predators. The artist provides double-paged layouts, using acrylic paints on Masonite board to capture the drama of the land and inhabitants, changing his palette for each season and animal. The snowy owl is white and silver against a silver-gray sky and pale, lemon moon. The red fox shimmers “flame colored in the low sun,” as he leaps amid the gold September leaves and slender, white tree trunks. In winter the ptarmigan huddles in the snow, blue and white against the iridescent northern lights. The Alaskan artist often includes thumbnail sketches inside the paintings to show details, a clutch of eggs, the feathered foot of the ptarmigan, a newly hatched chick. The lyrical text, with its recurring refrain, “Gone again ptarmigan,” conveys the author’s admiration for the hardy bird and builds excitement on each page. He concludes with additional facts. A solid nature title, with paintings that are a visual delight and a text that reads like poetry. (Nonfiction. 5-10)
Pub Date: April 1, 2001
ISBN: 0-7922-7561-6
Page Count: 32
Publisher: National Geographic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Doreen Cronin & illustrated by Harry Bliss ‧ RELEASE DATE: Aug. 1, 2005
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
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by Cynthia Rylant & illustrated by Sucie Stevenson ‧ RELEASE DATE: April 1, 1998
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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