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LITTLE LOST TIGER

A beautifully written episode with a strong conservation message.

In lyrical free verse, nature-writer London gives readers a tiny peek into the lives of a Siberian tiger cub and his mother.

“A river in its icy bed / mumbles in its sleep. / The wooded hills and ridges / sparkle with snow. / Shaggy and frost-tipped, / the tigress and her cub / slip like shadows into a forest / of bone-white birches.” As Spirin’s artwork gets darker and takes on the blue-gray of night, the Striped One hides little Amba under a fallen tree so she can hunt the sika deer in the clearing. But as she is crouched to pounce, the forest erupts into flames, and all the animals flee. All night the mother searches for and calls her cub, but his cry can only be heard with the calming of the wind and fire. Spirin’s watercolor, pastel and gouache artwork neatly complements the images painted in London’s text. Only twice does he anthropomorphize the expressions on the tigers’ faces. The forest fire, though obviously a threat to the forest dwellers, is not vividly portrayed, so readers are unlikely to be to frightened. An author’s note provides more information about endangered Siberian tigers, including the threats to their survival.

A beautifully written episode with a strong conservation message. (Picture book. 4-8)

Pub Date: May 1, 2012

ISBN: 978-0-7614-6130-2

Page Count: 32

Publisher: Marshall Cavendish

Review Posted Online: March 13, 2012

Kirkus Reviews Issue: April 1, 2012

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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