by Jonathan London & illustrated by George Crespo ‧ RELEASE DATE: June 1, 1996
In the coastal village of Belize, a boy takes over the tradition of basket weaving when his beloved, infirm grandfather can no longer carry on. Grandfather Carpio laments to his grandson Tavio that young people no longer learn from the elders ``how to do the dances and sing the old songs.'' All the old ways, in fact, are in danger of being forgotten. The children of the village grow up and move to cities or go to work for companies that destroy the rain forest. Carpio is the only one who knows how to weave the new cassava squeezer that the village needs to make bread. During Carpio's last days, he teaches Tavio his trade, for the boy has decided to become the new village basket weaver. London (Fireflies, Fireflies, Light My Way, 1996, etc.) makes Tavio's decision inevitable but not predictable; Tavio is tugged, as readers will be, by the beauty of the old ways. Crespo effectively recreates the tropical warmth of the Caribbean—the waves seem to lap at the shores. A thoughtful tale about the importance of keeping traditions alive. (Picture book. 4-8)
Pub Date: June 1, 1996
ISBN: 0-525-45314-8
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
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by Jonathan London ; illustrated by Gilles Eduar
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Mac Barnett ; illustrated by Carson Ellis
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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