On the banks of the Green River in Desolation Canyon, Utah, father and son prepare for a weeklong white-water rafting adventure. As a first-timer, the boy is a bit wary of the experience. His exuberant dad inadvertently initiates nervous anticipation regarding the adverse possibilities of man meeting nature on nature’s home turf. Reassuring his son that it’ll be fun, he also advises that by the end of the journey he will learn to read the river, realizing the differences between safe and dangerous spots. After drifting along for awhile, they hear a roar and the call goes out— “white water!” Suddenly they’re smashing and crashing through rapids with snowmelt-cold water rushing everywhere, breathless and with hearts pounding with fear and exhilaration. Around the next bend they narrowly avoid ragged rocks, get sucked into a swirling whirlpool and nearly swallowed by the raging river, until finally, they desperately pull together and free themselves from the jaws of danger. Tingling with excitement and feeling so alive, father and son savor the balance between the action of the rapids with peaceful moments, appreciating the beauty of the surrounding sights. After a week of camping out under the brilliant stars, singing around the campfire, rowing together, and meeting the challenge of the white water, the two share a special bond. In the end the boy realizes, “I had learned to read the river, and I like what I read.” Kastner depicts the action-packed adventure of white-water rafting splendidly, with her earthy oil paintings filled with color and life. (Picture book. 3-8)
Pub Date: May 1, 2001
ISBN: 0-670-89286-6
Page Count: 32
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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