First-rate research and narrative skill propel this tale of greed, war and skillful manipulation of the popular imagination....
Art journalist Lopez shows a Dutch painter who enriched himself by faking Old Masters emerging as a folk hero at the end of World War II.
Not much of a hero, the author convincingly demonstrates in his closely argued and generously illustrated debut. Han Van Meegeren was a sorely sullied character at best, a perfidious crypto-fascist and Nazi collaborator at worst. A longtime art forger (he’d begun with fakes of Franz Hals), he married twice, dallied often, lived like a prince in occupied Amsterdam while his fellow citizens starved in the streets, sent felicitations to Hitler, painted pro-Aryan images, lied, manipulated old friends and betrayed both calling and country. Lopez meticulously reconstructs the edifice of Van Meegeren’s life. We learn about his parents, his education and training, his early leftist leanings and his eventual relationship with the right. Because his portrait paintings didn’t enable him to live in the style to which he hoped to become accustomed, he soon embraced forgery, inventing new techniques that fooled experts (chemists included) and employing to his advantage a lacuna in Johannes Vermeer’s biography. Van Meegeren knew that Vermeer had done some early paintings with religious themes, so he decided to plug the gap with more. For a few years he fooled the art establishment. Collectors and museums bought his Vermeers and displayed them proudly and prominently; rapacious art lover Hermann Goering ponied up mega-guilders for the bogus Christ and the Adulteress. Although Van Meegeren was quickly nabbed after the war, he convinced arresting officer Joseph Piller that he’d been duping the Nazis, not collaborating with them. Piller became a friend and advocate; the press loved the story. Van Meegeren eventually was convicted of forgery and sentenced to a year in prison, but he died before serving a day.
First-rate research and narrative skill propel this tale of greed, war and skillful manipulation of the popular imagination. For more, see also Edward Dolnick’s authoritative The Forger’s Spell (2008).Pub Date: Sept. 1, 2008
ISBN: 978-0-15-101341-8
Page Count: 352
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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