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KINDLY INQUISITORS

THE NEW ATTACKS ON FREE THOUGHT

A compelling defense of free speech against its new enemies, who range from the mosques of Iran to the groves of American academe. In place of Justice Holmes's old standard of truth competing in ``the marketplace of ideas,'' Rauch (The Outnation, 1992—not reviewed; contributing editor to National Journal) substitutes a new one: that of ``liberal science.'' Formulated by skeptical epistemologists like Hume and Locke in reaction to the authoritarian regulation of knowledge advocated by Plato, liberal science sorts through the hurly-burly of conflicting claims of truth, marginalizing those that cannot pass scrutiny while accepting that even today's accepted truth may need to be revised tomorrow. But after years of nurturing the spirit of intellectual freedom and the pursuit of knowledge, this principle recently has been shaken, with the defining moment being Western governments' weak-kneed reaction to the 1989 death threat made by the Ayatollah Khomeini against Salman Rushdie. Rauch divides challengers to free speech into three camps: ``fundamentalists,'' who believe truth is obvious and not to be questioned; ``egalitarians,'' who think that the beliefs of all sincere people deserve equal respect; and ``humanitarians,'' who hold that one must never offend. But whether they are Moslems enraged at negative portrayals of Islam, creationists pressing to have their theory taught along with evolution, or minorities imposing university codes against ``hate speech,'' all these groups wish to revive the Inquisition notion that ``people who hold wrong and hurtful opinions should be punished for the good of society.'' Rauch's strength here lies in his relentless insistence that liberal science, though hurtful at times, is the best means of advancing knowledge and avoiding ``herdthink.'' Rauch, Jewish and gay, calls not just for toleration but for ``the hard self-discipline which requires us to live with offense.'' A powerful salvo in the war over political correctness—and a ringing reaffirmation of the principles of free thought as conceived by Locke, John Stuart Mill, and others.

Pub Date: April 1, 1993

ISBN: 0-226-70575-7

Page Count: 183

Publisher: Univ. of Chicago

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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