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WE ARE THE WEATHER

SAVING THE PLANET BEGINS AT BREAKFAST

Foer is not likely to sway climate-change skeptics, but his lucid, patient, and refreshingly short treatise is as good a...

Extending an argument that began with Eating Animals (2009), novelist Foer (Here I Am, 2016, etc.) traces climate change squarely to human deeds and misdeeds.

Our species, suggests the author, just isn’t very smart when it comes to thinking ahead and doing something about errant behavior. “We are good at things like calculating the path of a hurricane,” he writes, “and bad at things like deciding to get out of its way.” It behooves us to get better at the latter, since ever more intense hurricanes—and blizzards, droughts, and all the other portents of a drastically changing climate—are in the offing for the near-term future. There are things we can do to ameliorate the situation: For one thing, we “need to use cars far less,” but we also need to pat ourselves on the back a bit less when we do something virtuous of the sort, since there’s so much else to do. One critically important thing, writes Foer, is to eat lower on the food chain. A prominent driver of climate change is deforestation, and a prominent engine of deforestation is clearing ground for animal agriculture. As he notes, “sixty percent of all mammals on Earth are animals raised for food,” so lessening the number of animals slated to be eaten will decrease the rate and scale of deforestation. “It will be impossible to defuse the ticking time bomb without reducing our consumption of animal products,” reads a chapter title that scarcely needs supporting text. That’s a big, even revolutionary demand, but it’s not an impossible one by Foer’s estimation. After all, all of us humans got together and, at least for a time, cured polio because we took our vaccine, and even if we don’t want to hear it, the ticking is getting louder and louder.

Foer is not likely to sway climate-change skeptics, but his lucid, patient, and refreshingly short treatise is as good a place to start as any.

Pub Date: Sept. 17, 2019

ISBN: 978-0-374-28000-0

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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