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THE LAST MONA LISA

A must for fans of Dan Brown and Arturo Perez-Reverte.

What might have happened to the Mona Lisa when it was stolen from the Louvre in 1911 and stayed missing for two years?

Art historian Luke Perrone has been obsessed with the history of the Mona Lisa ever since learning that his great-grandfather Vincenzo Peruggia was the man who stole it from the Louvre. When he's contacted by an Italian professor who claims to know the location of Vincenzo's journal, Luke immediately drops everything and flies to Florence. There, he becomes drawn into two mysteries: one from the past (why did Peruggia steal the painting?) and one from the present (why has everyone who's recently encountered the journal died?). As he unravels the story of the first, he becomes more deeply embroiled in the second and begins to fear for his own safety—especially when he finds out he’s being watched. With the help of a beautiful American woman; an INTERPOL agent; and a famous art forger he meets in Paris, Luke begins to wonder whether the painting hanging in the Louvre, returned after the theft, is even the true Mona Lisa. Someone clearly cares enough about the answer to keep killing those who know about the journal, so Luke must rush to find the answers before he’s next. Through Vincenzo’s story as well as occasional chapters that share background on supporting characters, Santlofer crafts a layered and absorbing art mystery, complete with exciting action scenes and beautiful descriptions of the city of Florence and its art as well as Paris and Nice. It’s the human story at the heart of it, though, that really elevates the novel. Vincenzo’s motives for art theft are both pure and heart-rending, and Luke, flawed and struggling, seems to innately grasp what the person behind the recent violent deaths cannot: A work of art, no matter how precious, cannot be worth more than a human life.

A must for fans of Dan Brown and Arturo Perez-Reverte.

Pub Date: Aug. 17, 2021

ISBN: 978-1-72824-076-3

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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IDENTITY UNKNOWN

Expert, but unsurprising.

The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.

If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.

Expert, but unsurprising.

Pub Date: Oct. 8, 2024

ISBN: 9781538770382

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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