A heaping hoard of literary gems that fans of dragon-powered stories will surely treasure.
Including 29 original short stories and poems, Strahan’s stellar anthology of dragon-powered narratives features works by a veritable murderer’s row of genre fiction luminaries, including Peter S. Beagle, Patricia A. McKillip, Scott Lynch, Ken Liu, Kate Elliott, and Todd McCaffrey, among others.
Complemented by subtle illustrations throughout, the power of this gem-filled anthology is not only in the consistent quality of stories, but the impressive diversity of plotlines. Many selections derive inspiration from various folkloric tales and myths while others envision dragons in wildly untraditional—and at times metaphorical—ways. Seanan McGuire’s heartfelt “Hoard” chronicles a single woman who lovingly takes in foster children and helps them flourish. The system, however, sees her as something different. McCaffrey’s “Small Bird’s Plea” blends elements of science fiction and fantasy to create a story about a young girl on a quest to save her village, which she believes is being attacked by demons. Brooke Bolander’s “Where the River Turns to Concrete” follows a hulking amnesiac who, after being found naked in a parking garage by a local crime boss and hired on as muscle, finds something unexpected on his brutal journey of self-discovery. Beagle’s “Except on Saturdays” reimagines the French myth of Melusine with the story of a California high school history teacher who, after meeting a wheelchair-using woman on a bus, realizes that she is much more than she seems. In K.J. Parker’s “Habitat,” a local hero is tasked by a prince to catch and deliver him a living dragon. The hero delivers—with karmic results. There are no weak links in this anthology, and every selection is noteworthy in some way, but arguably the most memorable story is Ann Leckie and Rachel Swirsky’s “We Continue,” set on a planet where human colonists struggle to survive while dragons thrive in hivelike communities that regenerate with the birth of a new queen.
A heaping hoard of literary gems that fans of dragon-powered stories will surely treasure.Pub Date: July 7, 2020
ISBN: 978-0-06-287716-1
Page Count: 576
Publisher: Harper Voyager
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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