by Jonathan Stutzman ; illustrated by Heather Fox ‧ RELEASE DATE: Sept. 8, 2020
Funny and fun with a fundamental, if not fatal, flaw.
A babe in toyland spells trouble for Christmas.
Poor Santa is struggling with major burnout at the beginning of this laugh-out-loud Christmas book. Stutzman’s skillful, witty turns of phrase and Fox’s uproarious comic illustrations depict a decidedly old St. Nick. The opening pages are so strong and funny it’s a shame to see a textual misstep when, just before Christmas, a weary Santa who seems ready to throw in the towel frets that “all the children in the entire world were counting on him.” Most children reading this book will undoubtedly be among those who celebrate Christmas; but it does neither them nor others any good to reinforce Christmas as universally celebrated. Such textual erasure of non-Christian children may undermine the story’s playful tone for some readers when Santa summons Christmas magic to make him young again. His wish comes true to an extreme degree, and the North Pole is left in the tiny hands of his transformed, titular Santa Baby self. Seeing his ineptitude (he can’t even say “Ho Ho Ho!”), the elves initially fear Christmas will be cancelled, but they rally around Santa Baby, who also gets help from a bighearted child in one of the homes they eventually visit. By the book’s end Santa is restored to his status as jolly old elf, and Christmas is saved. Santa presents White, and the elves are racially diverse. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 30.5% of actual size.)
Funny and fun with a fundamental, if not fatal, flaw. (Picture book. 3-7)Pub Date: Sept. 8, 2020
ISBN: 978-1-250-25561-7
Page Count: 48
Publisher: Henry Holt
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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