THE RED BALCONY

A young English lawyer confronts moral ambiguity in Palestine under the British Mandate.

Set in Palestine in 1933 and based on true events, Wilson’s smart, fast-paced novel focuses on the months following the assassination of Haim Arlosoroff, gunned down on a Tel Aviv beach in June 1933 after he negotiates a controversial agreement with Hitler’s regime that will ease the international boycott against Nazi Germany in exchange for allowing more Jews to flee the country. Ivor Castle, a recent graduate of Oxford and a Jew himself, but one who feels “more at home among the gentiles in the country of his birth than among the Jews of the Promised Land,” is recruited to assist in the defense of two Russians charged with the crime. His work and life quickly become complicated when he embarks on an affair with Tsiona Kerem, a beautiful and enigmatic artist from Jerusalem whose testimony may provide an alibi for his clients. Ivor tries to thrash his way out of an ethical thicket, as the evidence points at one moment to his clients’ guilt and at another to the possibility that Arlosoroff’s killers may have been Arabs, a result eagerly sought by Charles Gross, a fellow Oxford graduate and supporter of the controversial Zionist leader Ze’ev Jabotinsky. Ivor’s position becomes even more perilous when he meets Susannah Green, an attractive young American whose father is working quietly to rescue German Jews. In all his machinations, Ivor also serves as something of a proxy for the complexity of life in a “place of violence and blood—or at least, a place of multiple clashing dreams of belonging.” Wilson maintains the suspense of the trial’s outcome until his atmospheric story’s concluding pages, but there’s much more to engage the reader before this mature work reaches its end.

Morality and passion collide in a sophisticated legal thriller.