A sharp, contemporary crime novel with classic genre elements.
In Woods’ (Phone Call From Hell And Other Tales of the Damned, 2014, etc.) noirish tale, a just-paroled convict goes after two women whose double cross led to his imprisonment.
When the recession forces Atlanta-based war veteran Bill Derringer into a 14-week furlough from his job as a waste-management truck driver, he and his wife, Edie, find themselves short on both cash and entertainment. She suggests a trip to Orlando, Florida, to see a murder trial, so they pack up their clothes and their two kids and head south. They crash at Edie’s cousin Ida’s place, but it isn’t long before the unemployed “Aunt Ida,” as she’s called, proposes robbing a local guns-and-ammo show. Derringer is surprised to learn that Edie and Aunt Ida have been lovers since high school, and after the robbery, he finds out that Aunt Ida’s plan to escape to Mexico City with the loot doesn’t include him. He winds up in prison for the heist, while the two women vanish. Five-and-a-half years later, he reports to a Miami halfway house, initially invested in finding his estranged children. But he soon makes tracks for Mexico City. Along the way, he becomes a courier for a mysterious suitcase that once belonged to Beat Generation writer William S. Burroughs, and even agrees to infiltrate a drug cartel for an unspecified U.S. agency—but his true goal is revenge. Woods’ story has several pulp-fiction trademarks, including a slew of seedy characters and plenty of sex and violence. But the book isn’t as hard-boiled as readers may anticipate. For every brazen simile (“The afternoon sun beat down like a dominatrix in a sweat”), narrator Derringer drops a line that’s endearing or sentimental, as when he recalls when he and Edie “smooched and groped each other like movie matinee lovers.” Although the perpetually gruff protagonist is a hard man to like, he enjoyably teams up with fellow halfway house resident Jane Ryder, who’s equally cynical but also whip-smart and reliable. A gleefully convoluted final act includes Nazis, unexpected deaths, and an over-the-top villainous plot.
A sharp, contemporary crime novel with classic genre elements.Pub Date: Nov. 15, 2016
ISBN: 978-8-28-355028-3
Page Count: -
Publisher: 280 Steps
Review Posted Online: March 10, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
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