Despite the missteps, parents and teachers looking to insert a message of diversity into a color lesson could do worse.
Animation sensibilities are reflected in the quirky silliness this brother and sister team (he a game designer, she a former Disney artist) brings to their first original picture book.
Eleven anthropomorphic animals drawn in bold black lines against clean white backgrounds each wear a spot of color: a zebra in a pink–polka dot dress, a Dalmatian in a red cape, skunks in blue swim trunks. One drum-playing kitty even sports an aqua mohawk. Each color/animal appears on a spacious double-page spread in which lead initials of the rhyming couplet that forms the text and each color word are printed in the featured color. The rhymes read smoothly for the most part and provide hints for beginning readers. The colors chosen are not the standard crayon-box eight, and unfortunately they are not all pure colors. The vest on the traffic-directing horse is on the dull-brown side of orange, and the maroon flag planted on the moon by a proud badger is more brown than red mixed with purple, making it less than “striking.” The final message brings all the animals together for two final double-page spreads; while not preachy, it is not at all subtle: “From the darkest of dark to the brightest of bright, / we're each pretty special, not quite BLACK and WHITE.”
Despite the missteps, parents and teachers looking to insert a message of diversity into a color lesson could do worse. (Picture book. 3-5)Pub Date: Sept. 6, 2016
ISBN: 978-0-06-238066-1
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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