A deep and sometimes confusing dive into memories through diverse media.
An illustrator unpacks memories of her upbringing through short stories, photographs, and drawings.
Opening with her earliest memories from Savannah, Georgia, Joshua leads readers through her life growing up with a mother who had bipolar disorder. Following a nonlinear track, the author presents a story about family, faith, and self-discovery, using excerpts from conversations with her family members, including her mother, brothers, and grandparents, alongside the memories she’s held on to. Through sharing elements of her life—such as her few memories of her father, who passed away early in her life, and her family’s migration between Georgia and Willingboro, New Jersey—Joshua’s goal seems to be to piece together not just memories but an understanding of how her family influenced the person and artist she would become. Colorful drawings interspersed with the text illuminate exchanges between Joshua and her brothers, giving breadth to the work’s presentation. The author includes some rough and emotionally difficult scenes among the brief stories, which vary in length from a few paragraphs to several pages. The individual entries sometimes end abruptly with no resolution before jumping to the next one. Since the narrative isn’t presented in chronological order, it can be difficult to stay connected to the book, although the bursts of artwork and family photos help to reengage readers.
A deep and sometimes confusing dive into memories through diverse media. (production notes) (Graphic memoir. 15-18)Pub Date: April 16, 2024
ISBN: 9781646142712
Page Count: 424
Publisher: Levine Querido
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
A tribute to young people’s resistance in the face of oppression.
In 1983 South Korea, Kim was learning to navigate university and student political activism.
The daughter of modest restaurant owners, Kim was apolitical—she just wanted to make her parents proud and be worthy of her tuition expenses. Following an administrator’s advice to avoid trouble and pursue extracurriculars, she joined a folk dance team where she met a fellow student who invited her into a banned book club. Kim was fearful at first, but her thirst for knowledge soon won out. As she learned the truth of her country’s oppressive fascist political environment, Kim became closer to the other book club members while the authorities grew increasingly desperate to identify and punish student dissidents. The kinetic manhwa drawing style skillfully captures the personal and political history of this eye-opening memoir. The disturbing elements of political corruption and loss of human rights are lightened by moving depictions of sweet, funny moments between friends as well as deft political maneuvering by Kim herself when she was eventually questioned by authorities. The art and dialogue complement each other as they express the tension that Kim and her friends felt as they tried to balance school, family, and romance with surviving in a dangerous political environment. References to fake news and a divisive government make this particularly timely; the only thing missing is a list for further reading.
A tribute to young people’s resistance in the face of oppression. (Graphic memoir. 14-adult)Pub Date: May 19, 2020
ISBN: 978-1-945820-42-7
Page Count: 192
Publisher: Iron Circus Comics
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Skilled and graceful exploration of the soul of an astonishing human being.
Full-immersion journalist Kidder (Home Town, 1999, etc.) tries valiantly to keep up with a front-line, muddy-and-bloody general in the war against infectious disease in Haiti and elsewhere.
The author occasionally confesses to weariness in this gripping account—and why not? Paul Farmer, who has an M.D. and a Ph.D. from Harvard, appears to be almost preternaturally intelligent, productive, energetic, and devoted to his causes. So trotting alongside him up Haitian hills, through international airports and Siberian prisons and Cuban clinics, may be beyond the capacity of a mere mortal. Kidder begins with a swift account of his first meeting with Farmer in Haiti while working on a story about American soldiers, then describes his initial visit to the doctor’s clinic, where the journalist felt he’d “encountered a miracle.” Employing guile, grit, grins, and gifts from generous donors (especially Boston contractor Tom White), Farmer has created an oasis in Haiti where TB and AIDS meet their Waterloos. The doctor has an astonishing rapport with his patients and often travels by foot for hours over difficult terrain to treat them in their dwellings (“houses” would be far too grand a word). Kidder pauses to fill in Farmer’s amazing biography: his childhood in an eccentric family sounds like something from The Mosquito Coast; a love affair with Roald Dahl’s daughter ended amicably; his marriage to a Haitian anthropologist produced a daughter whom he sees infrequently thanks to his frenetic schedule. While studying at Duke and Harvard, Kidder writes, Farmer became obsessed with public health issues; even before he’d finished his degrees he was spending much of his time in Haiti establishing the clinic that would give him both immense personal satisfaction and unsurpassed credibility in the medical worlds he hopes to influence.
Skilled and graceful exploration of the soul of an astonishing human being.Pub Date: Sept. 16, 2003
ISBN: 0-375-50616-0
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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