Weird yet engrossing and hard to forget.
Murphy offers a satirical fable set in an alternate world peopled by all species of animals.
New York City is introduced as a “vessel for animals” in Murphy’s first chapter, a purposely grandiose history of the city in which readers will assume animal references—“herds,” “invasive species”—are metaphoric. They’re not, or only in the sense that the book is one giant metaphor, a 21st-century combination of Animal Farm and Aesop's Fables. It's also a political thriller about an unwitting government bureaucrat uncovering corruption—think Robert Redford in his Three Days of the Condor period except he’s a llama or alpaca. The alpaca would be Alfonzo, toiling in the basement of City Hall as second assistant to the nonexistent assistant to the nonexistent commissioner of records while also working on his Ph.D. Illicitly printing out his dissertation at work, he borrows office paper from his friend Mitchell, a llama who works on housing issues (a humorous tip of the hat to New York's Mitchell-Lama affordable housing program). Better at office politics than his friend, Mitchell nevertheless feels caught between the needs of the poor and homeless versus the demands of landlords and the mayor, whom he hates. Alfonzo’s dissertation is rejected, in part because the scrap paper Mitchell has given him happens to have irrelevant facts and figures printed on the pre-used side. Meanwhile, right-wing radio is influencing land animals to blame sea animals “for every woe,” and Alfonzo finds a publication in his bag from the resistance movement SERF, the Sea Equality Revolutionary Front, a cause Mitchell’s lemur girlfriend, a barista, has been pushing. When Alfonzo learns his department is being closed, and the reason, he and Mitchell are spurred into action. Murphy packs a lot of issues—class, climate change immigration, vegetarianism, and more—into a familiar plot about malfeasance. She balances her poetic ruminations and dogmatic lecturing with a goofy relish for puns, from “The Five Burrows” of New York to the “freshly groomed” horse mayor to “Reading Rainboa" to radical “Bobby Seal.”
Weird yet engrossing and hard to forget.Pub Date: Aug. 4, 2020
ISBN: 978-0-374-53874-3
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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