A queer love letter to mariachi music and culture.
A queer mariachi musician learns that his star shines brighter when it’s part of a constellation.
Seventeen-year-old Mexican American Rafael Casimiro Álvarez is destined for mariachi greatness. Not only has he won best vocalist two years in a row, but he’s a third-generation musician. Rafie’s plan for domination hits a snag when the mariachi director at his new performing arts school decides he’s not ready to be lead vocalist. Being relegated to backup singing would be bad enough—the blow is compounded by the fact that Rey Chávez, the Afro-Latino lead vocalist, is the boy he hooked up with at last year’s Mariachi Extravaganza Nacional. When Rey’s voice cracks during a performance (Rey is transitioning), Rafie seizes the spotlight, earning the dubious honor of becoming co–lead vocalist. Weeks of training together thaw the ice between the boys until Rafie opens up about the pain of losing his abuelo and the stress of his family legacy. He lets himself feel the love he’s suppressed for Rey, but just when they become a happy couple (onstage and off), Rafie’s ambition threatens to destroy it all. The novel is driven by multiple, compounding elements—grief, Rafie’s ambition, the suppressed romance, and the pressures of expectations—ensuring that the tension never dissipates, even once Rey and Rafie get together, much to readers’ satisfaction. Racism, homophobia, and transphobia within the mariachi community are realistically portrayed, complicating that space without rejecting its beauty.
A queer love letter to mariachi music and culture. (author’s note) (Romance. 13-18)Pub Date: April 9, 2024
ISBN: 9781250875754
Page Count: 352
Publisher: Wednesday Books
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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