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A MAN OF GOOD HOPE

For truly capturing the power of dreams and the resilience of human nature, this book deserves a wide audience.

Steinberg (Little Liberia: An African Odyssey in New York City, 2011, etc.) weaves together the many personas of a man whose story is at once unique and an archetypal example of an all-too-large collective.

Asad Abdullahi is many things: refugee, entrepreneur, father, dreamer. In the beginning, though, his identity was simple: a happy child with loving parents living in a city he called his own. That city was Mogadishu, Somalia, and in 1991, Asad's idyllic family life was shattered due to their identity as members of the Daarood tribe. When violence against Daarood men became common, Asad’s father started sleeping away from home to keep the family safe. One morning, he simply didn’t return. Soon after, Asad's mother was murdered by militiamen. As his family and other Daarood refugees fled the violence and eventually their country, Asad was repeatedly separated from those he knew and loved. Upon his eventual arrival in Kenya, the ritual of leaving everything he knew behind became the norm. He created new, nontraditional family units, but he always separated himself from them because, as Steinberg writes, “he is a person with an enormous appetite for risk.” Asad’s adolescent years were marked by a pattern of being taken in and looked after just long enough for him to believe he could improve his life by moving on. So he moved continuously on and sometimes up, carrying the scars of failures and mistakes with him along the way. Steinberg's solid prose is perfect for the task of sharing Asad's history. He probes the darkest moments of his subject’s life without ever becoming maudlin, telling the story starkly and bluntly. He ably demonstrates to readers Asad's absolute refusal to give up while reminding them that, despite his tribulations, in many ways, his path was his own to form.

For truly capturing the power of dreams and the resilience of human nature, this book deserves a wide audience.

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-35272-7

Page Count: 336

Publisher: Knopf

Review Posted Online: Oct. 21, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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