by Jordan Harper ‧ RELEASE DATE: July 7, 2015
Bottom-line survival competes hard against issues of loyalty, friendship, and family in this disturbing, sometimes-ugly...
Criminals, lowlifes, and losers—many of them also quixotic romantics—people Harper’s first collection of short stories, which are set mostly in the Ozarks with side trips to cities like Brooklyn, Los Angeles, and Detroit.
In the opener, “Agua Dulce,” a meth addict’s debt comes due and he realizes how far he’ll go to protect his child from his merciless dealer and his cronies in Aryan Steel, a group that makes the Aryan Nation look mild. Ironically, in a later story, “Heart Check,” a new prison inmate and Steel wannabe, recently convicted of killing a child, discovers that he may have misunderstood the Steel code. But in none of these stories is the moral code exactly mainstream, from “Prove It All Night,” about a 17-year-old Missouri girl whose robbery spree with her older boyfriend ends badly for him, to “Lucy in the Pit,” about a fight-dog trainer whose loyalty to a dog is tested by the animal's owner, to “Your Finest Moment,” about a policeman plotting revenge on a fellow cop he’s caught in bed with his girlfriend. Bar owner and retired rural gangster Jackie Blue is a minor character in the almost comic “I Wish They Never Named Him Mad Dog,” in which a nickname turns a loser into a tough into a dead body, and takes center stage in “Red Hair and Black Leather” when an enticing young woman asks for his protection against her biker ex; Blue may be old but he’s smarter and tougher than any other character in the book. Certainly smarter than the narrator of the title story, who sets a dog on his loved one, already bleeding to death from a bullet wound after a botched robbery, in order to save him. “Beautiful Trash” is set in a different but perhaps even more morally bankrupt milieu, celebrity-strewn LA, where covering up the stars’ dirty scandals is a business that can ruin more ordinary lives.
Bottom-line survival competes hard against issues of loyalty, friendship, and family in this disturbing, sometimes-ugly version of reality.Pub Date: July 7, 2015
ISBN: 978-0-06-239438-5
Page Count: 176
Publisher: Ecco/HarperCollins
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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