THE MAID AND THE CROCODILE

Seventeen-year-old Small Sade seeks belonging after aging out of the orphan house in this stand-alone work that returns readers to the West African–inspired world of the Raybearer duology.

Sade begins her tale by stating: “You are powerful and important, and I am only me.” It soon becomes clear, however, that Small Sade has greater power and importance than she understands. She has vitiligo and is disabled, using a cane following an accident that injured her foot at the sweatmill where she worked as a child. But her cane proves to be a useful weapon against those who assume she’s vulnerable, like Oga Snatch-Purse. Sade is also a Curse-Eater: When she sings, she sees spirit silt and can cleanse the spaces where it gathers, renewing their energy. Because of her gift, she’s not surprised when a gecko messenger leads her to the elusive and handsome Crocodile God, who’s suffering under a curse that no one can break. A prophecy foretold that Sade would be the one to deliver him, but she has no idea how. Sade’s journey shows how helping others often means learning to help yourself first, finding your anger and your capacity to love and create. The book contains thoughtful conversations around domestic abuse and labor inequities, the queer characters are well rounded and self-determined, and the romance, intimacy, and understanding of explicit consent are truly swoonworthy.

A beautifully realized evergreen story about finding love and community.