Full of comedic beats, demon expulsions, and ’90s camp.
After attending an evangelical Christian church, a girl becomes involved with a group of young exorcists.
This graphic novel set in the 1990s follows Kay, a teen who agrees to attend church with her newly divorced mother. Kay’s father makes her feel like she’s his “fourth priority behind work, golf, and hitting on the hostess at Chili’s.” While her mom joins the adults for sermons by the bearded, ponytailed pastor, Kay attends the youth group, where the young leaders talk about avoiding temptation and perform an Ace of Base cover (“I saw the Christ / and it opened up my eyes”). Later, Kay is caught spying on the pastor and youth group leaders, who are attempting to exorcise a demon from a local man in a cabin in the woods. It emerges that Kay’s a blight (someone impervious to demonic possession), making her blood highly desirable to demons, who take her father as bait. Needing allies if they hope to prevail, the evangelicals join forces with young Catholic, Jewish, and Wiccan exorcists. The expressive, delightfully over-the-top illustrations capture the era and enhance the strong pacing. Kay feels some reluctance toward her mother’s church, but all the religions are treated with respect during the communal fight against evil. This work reads as a stand-alone work but would make for a great series opener. Main characters read white; the supporting cast is racially diverse.
Full of comedic beats, demon expulsions, and ’90s camp. (Graphic paranormal. 13-18)Pub Date: July 16, 2024
ISBN: 9781250789228
Page Count: 256
Publisher: First Second
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
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