For readers less interested in action than in exploring humanity, this novel is worth reading.
Punti delivers a richly told literary novel about four half brothers in search of their father.
The men are Christopher, Christophe, Christof and Cristòfol, each born in a different European country. They haven’t seen their father, Gabriel Delacruz, since early childhood and only recently have learned of the existence of the others. Gabriel and his best friend, Bundò, once had been long-haul movers operating out of Franco’s Spain, and their route covered much of Europe. When loading a family’s boxes into their truck, Gabriel and Bundò used to select one box to steal without knowing its contents in advance. They didn’t always find much of value, but they enjoyed the game. Gabriel was also a card player who made a living by cheating later in life. Once the four Christophers finally meet and get acquainted, they decide to locate Gabriel, whom no one has seen for over a year. Is he still alive? Why has he disappeared? Should they be angry at him? Why did he give all the boys the same name? They swap stories about their father based on what they’ve heard or what they remember. Considering how long he’s been out of their lives, they seem to know quite a lot. Each Christopher gets to tell the others his story in great detail, and their individual voices are not readily distinguishable from one another—physicist and shop owner speak with the same eloquence. On the other hand, everyone is likable, including the larcenous Gabriel and the thieving Rita, who accounts for lots of “lost” luggage. The characters’ wit and the author’s vivid imagination shine through in this beautiful translation from Catalan, although the story seems longer than necessary. The pace is leisurely as Punti revels in the details and the joy of telling the tale.
For readers less interested in action than in exploring humanity, this novel is worth reading.Pub Date: Oct. 15, 2013
ISBN: 978-1-4767-3031-8
Page Count: 448
Publisher: Marble Arch/Simon & Schuster
Review Posted Online: Sept. 16, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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