by Jorge Argueta & illustrated by Fernando Vilela ‧ RELEASE DATE: Sept. 1, 2010
A lyrical recipe presented in the form of a free-verse poem, this bilingual (Spanish/English) selection combines the fun of cooking with the tenderness of a mother-son relationship. Subtle, stylized illustrations convey a sense of joy and excitement in this paean to rice pudding as a boy embarks on a culinary adventure with help from his mom. Asterisks indicate when an adult’s help is needed, and young readers will delight in following the simple-to-prepare recipe. The text sparkles with clarity and purpose in both languages, and youngsters will appreciate the very accessible yet graceful and gently humorous poetic descriptions ("The little white grains of rice / rain music and sing / as they fall"). Naturally, the last part of the poem deals with the serving of the delicious pudding to the whole family. The warmth and love put into the dish radiates out over the dinner table to the boy and his parents and sister and then rises in clearly fragrant ribbons outside their cozy home. A nice introduction to the joys of cooking, as well as a strong bilingual addition to any collection. (Picture book. 4-8)
Pub Date: Sept. 1, 2010
ISBN: 978-0-88899-981-8
Page Count: 32
Publisher: Groundwood
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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by Sue Fliess ; illustrated by Petros Bouloubasis ‧ RELEASE DATE: March 1, 2018
Girl science power and new friendships make for a good combination.
In Fliess’ update, Mary is an inventive scientist, but she’s a lonely one.
“Mary had a little lab. / She tested and created. / While other kids were at the park, / she built and calculated.” The window of her lab provides views of the kids’ fun, and they inspire her to make a friend. Literally. She bikes to a farm for a snip of wool and heads back to use her latest invention: the Sheepinator. The resultant pet is everything she could hope for, not only providing companionship, but also helping out around the house and lab. And when he follows her to school, the kids all ask for their own wooly friends. What could possibly go wrong? Bouloubasis’ hysterical illustrations show the chaos that ensues, but the scientist and her new human friends think of a clever solution that leaves the whole town satisfied…and warm. Fliess’ verses include enough of the original poem (but tweaked) to tickle readers’ funny bones, and the rhyme and rhythm are spot-on. Mary is a wild-haired white redhead who is depicted as safety-conscious (bike helmet, ear protection, rubber gloves, etc.); the other kids are a diverse group. Most diverse (and somewhat distracting) of all are the noses on their faces—all sizes, shapes, and colors.
Girl science power and new friendships make for a good combination. (Picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-0-8075-4982-7
Page Count: 37
Publisher: Whitman
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Sue Fliess & Ann Marie Stephens ; illustrated by Alexandra Colombo
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by Kiley Frank ; illustrated by Aaron Meshon ‧ RELEASE DATE: Jan. 8, 2019
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Kiley Frank ; illustrated by K-Fai Steele
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