by Jorge Argueta & illustrated by Fernando Vilela ‧ RELEASE DATE: Sept. 1, 2010
A lyrical recipe presented in the form of a free-verse poem, this bilingual (Spanish/English) selection combines the fun of cooking with the tenderness of a mother-son relationship. Subtle, stylized illustrations convey a sense of joy and excitement in this paean to rice pudding as a boy embarks on a culinary adventure with help from his mom. Asterisks indicate when an adult’s help is needed, and young readers will delight in following the simple-to-prepare recipe. The text sparkles with clarity and purpose in both languages, and youngsters will appreciate the very accessible yet graceful and gently humorous poetic descriptions ("The little white grains of rice / rain music and sing / as they fall"). Naturally, the last part of the poem deals with the serving of the delicious pudding to the whole family. The warmth and love put into the dish radiates out over the dinner table to the boy and his parents and sister and then rises in clearly fragrant ribbons outside their cozy home. A nice introduction to the joys of cooking, as well as a strong bilingual addition to any collection. (Picture book. 4-8)
Pub Date: Sept. 1, 2010
ISBN: 978-0-88899-981-8
Page Count: 32
Publisher: Groundwood
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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by Nikki Giovanni ; illustrated by Erin K. Robinson ‧ RELEASE DATE: Sept. 27, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
by Kiley Frank ; illustrated by Aaron Meshon ‧ RELEASE DATE: Jan. 8, 2019
There’s always tomorrow.
A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Kiley Frank ; illustrated by K-Fai Steele
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