An insightful, educational, and erudite paean to bookshops.
A literate mappa mundi to bookstores.
This is the first of Spanish author Carrión’s books to be translated into English. He writes that “every bookshop is a condensed version of the world,” this book like a “cartography of a bookshop.” Entering this Borges-ian labyrinth of books, readers will encounter bookshops as “archaeological sites or junk shops,” police censorship, the lives and works of booksellers, reading as “obsession and madness,” and the “bookshop as the world.” This is no mere travel guide but rather a philosophical, reflective, wide-ranging inquiry into the world of books. Carrión began the first of his many voyages in 1998 at a bookshop in Guatemala City. He reminds us that the “oldest bookshop in the world” is in Lisbon, not far from his home in Barcelona. Along this journey, readers are guided by Montaigne and Diderot epigraphs as well as wisdom from a vast array of writers, including Goethe, Mallarmé, and Benjamin. The bookseller is a “critic and cultural activist,” and since ancient Rome, bookshops have been “spaces for establishing contact.” Carrión is excellent discussing Paris’ most famous shops, American Sylvia Beach’s Shakespeare & Company, where Joyce’s Ulysses was born, and Adrienne Monnier’s La Maison des Amis des Livres. Both also functioned as lending libraries, art galleries, hotels, and cultural centers. Carrión sees bookshops as political bastions and recounts The Satanic Verses uproar, Hitler as bestselling author, Mao Zedong’s bookshop/publishing house, and book burnings. His trip across America includes visits to New York City’s Gotham Book Mart and the Strand, Denver’s Tattered Cover, Portland’s Powells, and San Francisco’s City Lights. The author also discusses the impact of the brick-and-mortar chains and Amazon, the “supreme Virtual Bookshop,” as well as the sad story of a 100-year-old Barcelona bookshop that became a McDonald’s.
An insightful, educational, and erudite paean to bookshops.Pub Date: Oct. 17, 2017
ISBN: 978-1-77196-174-5
Page Count: 304
Publisher: Biblioasis
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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