by Jorge Goyanes ‧ RELEASE DATE: Jan. 27, 2017
An enjoyable, action-packed crime tale with strong language.
A wisecracking sleuth explores dangerous happenings in Miami in this second installment of a mystery series.
Jose Castillo, a luxury car repairman, moonlights as a private investigator. Usually, his cases involve minor infractions such as personal injury incidents or infidelity. He goes on stakeouts in his van equipped with the latest spy technology courtesy of his computer wiz pal, Jim Gafford. Jose is hired by Lesson, a strip club security guard who fears for his safety. After Lesson overhears strange rumblings from his Russian boss, Volkov, his house is mysteriously firebombed. Turns out, Volkov has been on the police radar for years and Jose steps in to uncover what is going on. When Jose learns that Volkov is part of the Russian mafia, he enlists the help of old military friends Chris and Chini. Jose uses out-of-the-box, risky measures in his work (for example, kidnapping and drugging a potential informant). Soon, Jose is targeted by Volkov’s gang and must wrangle himself—and his loved ones, including his fiancee, Kat—out of trouble. Meanwhile, Miami police are on the hunt for a killer targeting sex workers. After investigative reporter Lola Sanchez is murdered by the culprit while working undercover, Jose joins his best friend, Homicide Detective Nate Devine, in the search for the serial killer. Goyanes (Miami Beat, 2012) often includes captivating descriptions, many focusing on Jose’s car restorations, local Cuban food and eateries, and factoids about the city. A scene in the Miami Tunnel prompts: “The Miami Tunnel was first proposed in 1983 to alleviate the traffic....Between the burgeoning cruise ship traffic and the steady flow of the cargo container industry, it became evident that something had to be done.” But the dialogue can be explicit, which may disturb some readers. For example, characters toss out slurs (one scene features homophobic language in an interaction with a cross-dressing sex worker). Although Jose and friends’ sarcastic banter often pokes fun at different cultures and ethnicities, the private eye explains: “All of us come from different descendants...we rag on each other like brothers because circumstances have put us together...we have had each other’s back at some point.” While the murders are detailed and graphic, the plot is engaging and Jose is a stand-up, strong protagonist. His intriguing back story contributes to his detective skills quite well.
An enjoyable, action-packed crime tale with strong language.Pub Date: Jan. 27, 2017
ISBN: 978-1-63338-340-1
Page Count: -
Publisher: Fulton Books
Review Posted Online: May 24, 2017
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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