by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: May 21, 2019
It’s got witty illustrations, but it paints a pretty bleak picture for society.
When a T. Rex gets a sore throat and cannot roar for one whole week, his self-control is tested.
William loves to roar. But not just for the sake of making loud noise. He loves hiding, sneaking, and scaring, along with roaring. He can’t help it. As the titular refrain explains: “That’s what dinosaurs do.” Oswald’s blue-dappled, toothy dino peers out from behind bushes, frightening folks in literally hair-raising fashion (even the sheep that he scares have their wool standing on end). But when the doctor tells William he must rest his voice in order to cure his sore throat, he doesn’t know how to act. He wraps a big roll of gauze around his snout and slumps through town, dejected. It’s not very much fun for William, but the townspeople are ecstatic. No more roaring! No more scaring! But will William be able to keep it up? Though moments of growth are present (William does recognize that he shouldn’t scare others), readers may be taken aback by the unabashedly unapologetic prehistoric creature’s resistance to rehabilitation. Instead of reaching for a clever way to impart wisdom, John leans heavily on the excuse, “That’s what dinosaurs do.” William is a bully, with no hope of reformation.
It’s got witty illustrations, but it paints a pretty bleak picture for society. (Picture book. 4-8)Pub Date: May 21, 2019
ISBN: 978-0-06-234319-2
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
Share your opinion of this book
More by Jory John
BOOK REVIEW
by Jory John ; illustrated by Pete Oswald
BOOK REVIEW
by Jory John ; illustrated by Olivier Tallec
BOOK REVIEW
by Jory John ; illustrated by Pete Oswald
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
Share your opinion of this book
More by Tish Rabe
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Share your opinion of this book
More by Tamisha Anthony
BOOK REVIEW
by JaNay Brown-Wood ; illustrated by Tamisha Anthony
BOOK REVIEW
by JaNay Brown-Wood ; illustrated by Olivia Amoah
BOOK REVIEW
by JaNay Brown-Wood ; illustrated by John Joven
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.