Who wouldn’t love a book you can really laugh over?
Can reading a book ever not be fun?
The narrator, an orange aardvarklike creature, addresses readers directly, enticing them to pay close attention by announcing that this book contains sure-fire kid-favorite topics as homework, Brussels sprouts, the dentist, chore lists, raisins, and early bedtimes. Can’t miss with those page-turners. The narrator exudes feverish elation, desperate to arouse enthusiasm. Who wouldn’t savor those talking points—every child’s first choices in reading material, no? The speaker’s frenzied excitement is emphasized via creative typesetting: Some words are set in larger fonts, colored capitals, and exclamation points, and the frequent expression “Ahhhhhhhhh Yeahhhhhh!” suggests the idea “You can’t beat this for good times.” Of course, this is all played for raucous guffaws. Many children will catch on to and chuckle over the author’s obvious, sustained gag. Younger readers, however, won’t have experienced daunting homework and may not have visited a dentist yet, so they might miss the point that those things are considered fearsome; additionally, lots of kids do enjoy raisins. The real reason for loving this book is saved for last, though—and it’s a reassuring goodie. The acrylic paint, gouache, and pencil illustrations are a dynamic, comic hoot and certainly one fine reason to love this tale.
Who wouldn’t love a book you can really laugh over? (Picture book. 4-7)Pub Date: March 5, 2024
ISBN: 9780374388539
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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