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THE PARIS PLOT

A fast-paced international adventure featuring engaging characters.

In Aragon’s debut thriller, a French official’s attempt to arrest the president of the United States for war crimes sparks a firefight in Paris.

President Leyland Childs is planning a trip to the French capital, and he wants Secret Service Special Agent Isabella “Izzy” Stone, who’s already saved his life once, to be there by his side. Childs intends to work with French President Amaury Jardin to ease tensions between their countries, which stem from a covert U.S. missile strike in Islamabad that was aimed at a wanted terrorist. Tragically, a group of French middle-school children on a trip to the city were killed in the explosion. An angry mob in Paris then attacked the U.S. embassy, which, in turn, led to fiery anti-France protests in America. After POTUS gets to Paris, local magistrate André Malevu, who abhors American influence on French traditions, issues an arrest warrant for Childs. This results in a violent confrontation between Secret Service agents and members of the French special forces. In order to get the president to safety, Izzy and her team must head into the subterranean maze of Paris’s catacombs. This exhilarating underground pursuit is only part of the story, however, and Aragon keeps up an impressive pace throughout the novel. Its short sentences and chapters are packed with intriguing details, such as French rioters’ treatment of American tourists: “On the Seine an American couple was thrown overboard from a tourist boat plying the river.” Izzy is shown to be astute and resourceful, and not even a potential suitor, Liam Cabot of the British Embassy, can sway her ever-present caution; she even calls in a background check during their first meeting. Her bond with Childs, however, is the story’s strongest relationship. An early scene, in which she protects him from an assassination attempt, ably establishes their trust and shows why she’s the one in charge of the presidential detail.

A fast-paced international adventure featuring engaging characters.

Pub Date: Nov. 21, 2016

ISBN: 978-0-9981612-0-4

Page Count: 456

Publisher: Oakhurst Print

Review Posted Online: May 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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