DOWN THE WELL

In Blackhurst’s debut horror novel, a lawyer attempts to understand a mass death event and avoid becoming one of its victims.

In 2017, two hunters in Kentucky came across a dead town; ‘dead’ in the sense that all of the residents—hundreds of them— seem to have been killed in a freak landslide. The event came to be known as the Carrington Tragedy, even though no one is sure that the town had been called Carrington (in fact, before the hunters stumbled across it, the outside world was entirely unaware of the town’s existence). The sole record of the town, and of what happened to it, is a series of 33 canvases, found buried in the rubble, on which a man called Richard Maltessouri had scribbled a difficult-to-decipher diary. The first entry begins, ominously, “I wish the marionettes would stop trying to break through the windows. Incredible. I’m not entirely convinced I’m still alive.” Though it’s unclear whether Richard was sane—or even real—his account implies Carrington suffered something closer to a massacre than a natural disaster, even if the claims in the barely legible diary (written in a hard-to-read paint called “tint”) are difficult to parse. Along with a colleague, lawyer Joseph Blackhurst travels to the Carrington site in an attempt to decrypt the demented diary, hoping that his efforts at transcription do not end, as previous attempts have, in catastrophe. The book is a metafictional puzzle, with two texts unraveling side-by-side: that of Richard Maltessouri and that of the fictional Blackhurst. The real-life Blackhurst writes them both with the kind of neurotic restraint that hints at larger, unspoken forces. “I should come clean,” confesses the character Blackhurst early on. “In a footnote, I wrote that no part of the Canvases would be edited or omitted during transcription to preserve a complete record of the evidence. However, certain inconsequential edits will be made at the decision of the Committee.” It’s a fun puzzle of a book, reminiscent at times of Mark Z. Danielewski’s work, creeping slowly from confusion to delightful terror.

An inventive, multi-layered horror novel structured around a cryptic document.