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CRAB BAIT

A GAY MYSTERY

A rich, dark mystery set in repressed 19th-century London.

A series of grisly murders disrupts Victorian London’s covert gay scene in Brennan’s historical thriller.

In 1888, the city of London is abuzz over the sensational murders of Jack the Ripper in the East End, but over on the West End—in a neighborhood known as “Clubland” for its concentration of gentleman’s clubs—another murderer is at work. The most infamous of the clubs is Sizar’s, a place where boys from poor backgrounds can rise in the world so long as they’re willing to “bend.” Former Navy man Stewart Marsh sorts boys for Sizar’s; when he can, he sneaks down to Brighton to go for a run on the beach. It is here, beneath a pier, that he finds an unwelcome sight: “Snagged in the pooled crevice where sand had been drawn away by the tide lay a young man. He felt able to adjudicate the mound’s youthfulness by the roundness of boyish bulk, having refereed many a wrestling match in the scouting for Sizar’s.” The body belongs to an infamous pimp and blackmailer known as the Pipe, a young man who many might have wished dead. But who actually did the deed? As Scotland Yard Detective Oscar Glass gets to the bottom of the crime, bodies continue to pile up, and the evidence seems to point right to the heart of Sizar’s itself. Brennan has constructed an immersive puzzle, one that delights in shattering Victorian facades of class and propriety with sex and blood. Unfortunately, the author’s baroque prose weighs the story down like an anchor: “White and soft was the fall from London Bridge into the Thames,” opens one chapter; “Painless and warm, too. Death was, truly, as the evangelical preachers promised it to be: a sweet relief. Instead of the mucky freeze of the black Thames at midnight, impact was straight into the clouds.” Those who can weather the mannered prose will be treated to a fascinating look into the strange, lost world gentleman’s clubs and the young men ensnared in their customs.

A rich, dark mystery set in repressed 19th-century London.

Pub Date: Nov. 23, 2023

ISBN: 9780645555332

Page Count: 276

Publisher: Hard Crossing Press

Review Posted Online: Oct. 19, 2023

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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