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TRAIL OF THE DEAD

From the Killer of Enemies series , Vol. 2

This second act offering deeper characterization and resonant themes enriches an already compelling tale.

In Volume 2 of this post-apocalyptic series, Lozen leads survivors of the insurrection against Haven’s technically augmented human rulers through gemod-infested wilderness to the hidden valley her Apache family once called home—it doesn’t go as planned.

As Lozen’s powers to read the now-unwired world around her have grown, so have the responsibilities and stresses of leadership. Her companions try to protect her, but it’s a lonely journey. Even as she senses the resourceful, implacable enemy pursuing them and closing in, her past acts and memories of those she dispatched—animal, genetically modified, and human alike—distract and weaken Lozen. Her Chiricahua heritage and mother’s guidance help Lozen resist, yet her sickness grows. To unravel and heal her PTSD requires confronting the toll that killing takes on warriors, however noble their motives or those of the leaders who’ve ordered it. Death-dealing has given her enemy superpower strength. Lozen’s own powerful allies include Coyote (though tricksters bear watching) and a small Lakota group with sentient gemod horses. Superheroes rarely obsess over the beings—evil or merely dispensable—they encounter and dispatch before moving on to the next challenge. Bruchac’s focus on these consequences adds welcome emotional depth to Lozen and to the story itself, while her search for healing and wholeness highlights the strengths of a cultural heritage that is up to the challenge.  

This second act offering deeper characterization and resonant themes enriches an already compelling tale. (Post-apocalyptic fantasy. 12-18)

Pub Date: Oct. 1, 2015

ISBN: 978-1-62014-261-5

Page Count: 400

Publisher: Tu Books

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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