by Joseph Campbell ‧ RELEASE DATE: April 12, 1972
Campbell, author of The Masks of God and a respected mythologist, conceived these essays originally as lectures for Cooper Union's Forum series. They still resonate with echos of the hall as he recapitulates the themes of his more scholarly works: namely, a Jungian view of the nature and origins of myth, and a conviction that myth is still (as it has been always and everywhere) the prerequisite to social stability and genuine self-realization. An anecdotal and comparative survey of the world's mythological lore is given here chiefly, however, as a touchstone for finding equivalent verities in our own time. This can lead to some startling speculations — e.g., that contemporary western soldiers suffer from want of a "war myth" which would "psychically induct" them to their role — and questionable conclusions, e.g., his celebration of the space race in that it reveals a powerful new "affect image" of earth as "the one oasis in all space," a "kind of sacred grove. . . set apart for the rituals of life." Ritual is the key word (for Campbell, life seems meaningless without it): the church, for instance, is in decline simply because it is not making an "affective display" of its rites and symbols, and schizophrenia (after Laing and Perry) is accepted as a benign parallel to "shamanistic crisis" and archetypical voyaging. But ritual per se is not enough to reconcile the curious east/west split in the author's own conservative thought, which would have progress and nirvana too. Best read as first heard, for the erudite incidentals and enthralling podium style.
Pub Date: April 12, 1972
ISBN: 0140194614
Page Count: 292
Publisher: Viking
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: April 1, 1972
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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