An informed look at Southern history refracted through the lens of fiction.
The creation and evolution of a fictional character serves as a mirror of racial politics.
Atticus Finch appeared in two novels written by Harper Lee: as the hero of the Pulitzer Prize–winning To Kill a Mockingbird, published in 1960; and as a more complex character—hardly a “touchstone of decency and goodness”—in Lee’s first novel, Go Set a Watchman, not published until 2015. Crespino (History/Emory Univ.; Strom Thurmond’s America, 2012, etc.) makes the fictional Atticus central to his study of Lee’s father, lawyer and newspaper editor A.C. Lee; Harper’s career as a writer; and, what gives the book heft, a close look at the Southern politics and civil rights struggles in the 1950s and ’60s from which Lee’s fiction emerged. When Mockingbird first appeared, A.C. was surprised when his neighbors in Monroeville, Alabama, greeted him as Atticus Finch. “He hadn’t recognized himself in the book at all,” writes the author. Nor would he have recognized himself in the “shrewd lawyer” with racist views of Go Set a Watchman. Lee’s first book was unsettling to many of Mockingbird’s fans precisely because Atticus was both a “principled southerner” and “a pragmatic segregationist.” While biographers have assumed A.C. was the inspiration for Atticus in Mockingbird, Crespino probes the extent to which Lee portrayed her father in the darker Watchman. Besides drawing on newly available correspondence, he examines hundreds of editorials in which A.C. expressed opinions on local and national issues to offer a nuanced portrait of a man of “paternalistic sensibilities” who “saw no profit in inflaming racial passions on either side of the color line.” The Atticus of Mockingbird, who exuded “moral courage, tolerance, and understanding,” evolved, Crespino asserts, from the portrayal in Watchman of a man who abided the “hypocrisy and injustice” of his own generation. Lee’s Atticus was himself transformed by Gregory Peck in a movie adaptation that underscored stalwart virtue.
An informed look at Southern history refracted through the lens of fiction.Pub Date: May 8, 2018
ISBN: 978-1-5416-4494-6
Page Count: 272
Publisher: Basic Books
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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