The sequel to The Good Hawk (2020) sends characters both familiar and new into the wider world surrounding its fantasy version of medieval Skye.
Agatha and Jaime have returned triumphantly after rescuing their clan from slavery. But their enclave is still held by enemies, and those in their current refuge want them gone. After Agatha accidentally unleashes the deadly sgà ilean, Jaime is sent back to Scotia to seek magical assistance while Agatha defiantly warns a rival clan. Meanwhile, young Sigrid is sold to the cruel Norvegian monarch who is busy scheming with the eldritch Inglish king. All three suspenseful plotlines are deftly interwoven, giving each alternating narrator a distinctive voice: fierce, proud, impatient Agatha, with her disabilities that cause some to treat her cruelly and her uncanny rapport with animals; careful, depressed Jaime, prone to both panic attacks and reluctant flashes of bravery; and earthy, brash Sigrid, gifted with an eidetic memory and unexpected compassion. Major and minor characters alike are fully rounded; Jaime in particular struggles with his newfound fascination for dark magic and a same-sex attraction that is not accepted in his culture. The worldbuilding is rich, integrating various magical systems into the landscapes and cultures of diverse countries and clans. The narrative gallops along, with hefty doses of humor, tenderness, and violence, until the storylines meet on a final page that will leave readers desperate for more.
A superlative middle volume, adding depth and scope without sacrificing clarity or theme.
(Fantasy. 12-18)