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THE GOLDIN BOYS

Editor of The American Scholar and a prolific essayist (A Line Out for a Walk, p. 314, etc.), Epstein debuts in fiction with this collection of nine stories, almost all of them about middle-aged Jewish men who grew up in the West Rogers Park area of Chicago. Many of these competent pieces serve the ideological agenda of the magazine in which they first appeared, the neo-conservative Commentary. ``Marshal Wexler's Brilliant Career,'' from the point of view of an Allan Bloomish Univ. of Chicago professor, tells of a student who becomes a prominent radical-chic publisher and writer. It's bush-league Tom Wolfe, with an added Zionist twist. As in several stories here, Epstein proves to be a poor man's Saul Bellow—his talking heads spout a cultural conservatism that really, underneath, suggest a defense of vulgar ambition. A number of profiles here concern class difference among Jews, and reveal a parvenu's interest in snobbery. ``The Count and the Princess'' chronicles the unlikely passion of a snobbish Polish ÇmigrÇ for a suburban divorcÇe, a ``Jewess'' not at all of his style. Similarly, ``Kaplan's Big Deal'' finds a wealthy, unencumbered Chicago businessman pursuing a divorced prof because he loves and admires her well-mannered son. In a number of stories, lower-class, hard- working Jews tell of those who've arrived. In the not very subtly named title piece, the remarkably athletic sons of a wealthy lawyer and his glamorous wife eventually meet their downfall, and in ``Paula, Dinky, and the Shark,'' an accountant's wife surveys the lives of her best friend's family, gangsters she's known since youth. Epstein's high esteem for the self-made businessman is further revealed in ``Low Anxiety,'' in which an office-furniture dealer links his daughter's abortion to his sense of cultural decline. ``No Pulitzer for Pinsker'' and ``Another Rare Visit with Noah Danzig'' attack novelists for their duplicitous manipulations of reality. Epstein writes with sledge-hammer subtlety about characters already familiar from Bellow, Roth, Malamud, and even Richard Stern. A book of minor ethnic interest.*justify no*

Pub Date: Oct. 7, 1991

ISBN: 0-393-03022-9

Page Count: 288

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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