The long-unawaited sequel to an American classic. In 1961 Heller published Catch-22, a viciously antiwar novel about a group of young American bombers in WW II. It was a tight, brutal assault on the military mindset, bureaucratic logic, and the ruthlessness of capitalism. In an act of absurdity worthy of Catch- 22, Heller has written a sequel to a novel that needed no sequel. Yossarian is once again in the hospital. This time, he's 68 and in Manhattan. He is still after the nurses, and Chaplain Tappman again pays him a surprise visit. Yossarian is now a consultant for Milo Minderbinder and his defense contracting company. The chaplain disappears after the government (and Milo) learn that his body is inexplicably producing heavy water. The nation is led by a trigger- happy Dan Quaylelike president, and there is a secret network of government tunnels under the Port Authority Bus Terminal. Yossarian stumbles down below, where he finds a massive doomsday cellar connected (literally) to hell. In hell he finds a pantheon of dead writers and a reconstructed turn-of-the-century Coney Island. However, this semi-interesting plot is not the main story. Instead, Heller spends most of the time kvetching about getting old and dying. Hardly any of the old, interesting characters make appearances (Orr gets a paragraph), and those who do, like Lew and Sammy, have nothing to do with the plot and no interaction with Yossarian. The only connection to the original is that in a few places Heller sets up similar situations and dialogue to show that capitalism and the military mindset are still the same. But by naming a character Dr. Strangelove, Heller is beating a very tired horse. A line aimed at Yossarian applies to Heller as well: ``You sound so bitter these days. You used to be funnier.'' Be content with the original and pretend the sequel never happened. (First printing of 200,000; first serial to Playboy; author tour)
Pub Date: Oct. 10, 1994
ISBN: 0-671-74604-9
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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