by Joseph Horowitz ‧ RELEASE DATE: Oct. 1, 1994
An expert blend of musical and social history, illuminating one of the cultural cores of America's ``Gilded Age.'' In the 1880s, as accurately depicted in Edith Wharton's Age of Innocence, the upper echelons of New York society flocked to Faust (a scene carefully retained in Martin Scorsese's recent film version). But by the 1890s, Wagner fever had overtaken America's most ardent opera patrons, and not in New York alone. This is the world that Horowitz (The Ivory Trade, 1990, etc.) reveals in his fascinating, gracefully written study of American Wagnerism. Currently executive director of the Brooklyn Philharmonic, formerly a New York Times music critic, and a long-time student of the interplay between musical art and national culture, Horowitz orders his narrative around the parallel careers of the conductor Anton Seidl and the New York Tribune critic Henry Krehbiel. He evokes an era when issues of aesthetics and musical philosophy were the common currency of middle-class discussion. From the viewpoint of today's world, in which the column inches devoted to serious arts criticism in the daily papers have shrunk to virtually nothing, fin-de-siäcle America was, musically and intellectually, an enviably lively place. Wagner's works dominated the stage, and his music and ``ideas'' were the subject of passionate debate. To this extent, Horowitz proves his thesis that the ``Gay '90s'' were not the crass, lowbrow scene its detractors have claimed. One fascinating recurrent theme in this study is the positive impact of Wagnerism on emerging feminism at the turn of the century. It appears that a majority of American Wagnerites were women, and the idea of Brunnhilde (as well as the regal dramatic sopranos who portrayed her) fit neatly with the notion of the ``New Woman'' then sweeping the nation. A work of engrossing scholarship about an important, unjustly ignored slice of our artistic past.
Pub Date: Oct. 1, 1994
ISBN: 0-520-08394-6
Page Count: 352
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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